Rubbing Map
of Boston
Rubbing Map of Boston is the project I did for the Leventhal Map & Education Center, which is an interaction design to help visitors have a better experience during their visit.
About this project
During the first few weeks of my CO-OP, I was asked an interview question about my favorite part of the gallery. As I looked around, I noticed one unique aspect that other galleries didn't have: the interactive design that engaged visitors. As a visitor myself, I always appreciate bringing home a memorable souvenir, especially if it's something handmade—much cooler than a postcard from the gift shop!
This got me thinking about what I could contribute to our upcoming exhibition, "Heaven and Earth." I did extensive background research, delving into the texture, creation methods, artists, dates, and colors used in the maps. Two fascinating aspects stood out: the rubbing technique used to create the maps and the special Prussian blue color.
I pondered how we could make our exhibition memorable and spread our culture. Then an idea struck me: "Why not let visitors create their own rubbings to take home?" With my previous art experience, I knew this wouldn't be too difficult. Once I had a digital map, I could use a laser cutter to create the images. After discussing this with my manager, we decided to merge this idea with another exhibition on the history of Boston, creating a rubbing map of Boston. This way, visitors, especially those from outside Boston, could have a unique keepsake.
Chinese Title: 大清萬年一統地理全圖
Pinyin Title: Daqing wannian yitong dili quantu
English Title :Complete Geographical Map of the Everlasting Unified Qing Empire
The first map I created was not very successful. As it was my first attempt at making a rubbing map, I didn't realize how the positive and negative spaces would affect the outcome. The map was too large, and the lack of negative space resulted in poor detail visibility. When I tried rubbing, nothing came out clearly.Learning from this, I spent a week creating a second map, increasing the negative space and reducing the size. This adjustment significantly improved the clarity and detail of the rubbings. I also removed many details, including school names and important addresses.
The final visual effect was very satisfying. When I placed the woodblock at the front desk, I didn't have high hopes—I thought visitors might not even notice it. However, on the first day, the response was surprisingly positive. Visitors were curious about what would happen when they used the woodblock and the rice paper, and they eagerly tried this unconventional form of rubbing. As the creator, seeing my work appreciated by others brought me great satisfaction. I also realized the importance of interaction—a simple art installation can greatly enhance the visitor experience and create lasting memories.
Map of Boston (rubbing version)
